| Framing collaborative processes of digital transformation in cultural organisations: from literary archives to augmented reality G Arrigoni, T Schofield, D Trujillo Pisanty Museum Management and Curatorship 35 (4), 424-445, 2020 | 36 | 2020 |
| Digitally enhanced polyvocality and reflective spaces G Arrigoni, A Galani European heritage, dialogue and Digital Practices, 37, 2019 | 23 | 2019 |
| European heritage, dialogue and digital practices A Galani, R Mason, G Arrigoni Taylor & Francis, 2020 | 15 | 2020 |
| Recasting witnessing in museums: digital interactive displays for dialogic remembering G Arrigoni, A Galani International Journal of Heritage Studies 27 (2), 250-264, 2021 | 12 | 2021 |
| Understanding artistic prototypes between activism and research G Arrigoni, T Schofield XCoAx 2015: Computation Communication Aesthetics and X, 24-39, 2015 | 12 | 2015 |
| Epistemologies of prototyping: knowing in artistic research G Arrigoni Digital Creativity 27 (2), 99-112, 2016 | 10 | 2016 |
| From Place-Memories to Active Citizenship: The Potential of Geotagged User-Generated Content for Memory Scholarship G Arrigoni, A Galani Doing Memory Research: New Methods and Approaches, 145-168, 2019 | 9 | 2019 |
| Magical realism and augmented reality: Designing apps with children in a cultural institution T Schofield, D Trujillo Pisanty, G Arrigoni, K Reynolds, R Pattinson Proceedings of the 2019 on Designing Interactive Systems Conference, 737-749, 2019 | 7 | 2019 |
| Fiction and curatorial practice: developing alternative experiences for digital artistic prototypes G Arrigoni, B Zics International Journal of Performance Arts and Digital Media 12 (1), 82-94, 2016 | 7 | 2016 |
| Innovation, Collaboration, Education: Histories and Perspectives on Living Labs G Arrigoni xCoAx2013, 215, 2013 | 3 | 2013 |
| Online visual dialogues about place: Using the Geostream tools to identify heritage G Arrigoni, A Galani, L Galani, K Halkia, OE Kassaveti, R Kakampoura Report, 2017 | 2 | 2017 |
| Artistic prototypes: from laboratory practices to curatorial strategies G Arrigoni Newcastle University, 2017 | 2 | 2017 |
| Prototyping Heritage: Collections, Materials and Emerging Approaches to Engagement. G Arrigoni, T Schofield, T Shaw, J Bowers Proceedings of the 2nd Connected Communities Heritage Network Symposium, 2015 | 2 | 2015 |
| Experimentation and collecting practice: balancing flexible policies and accountability in developing born-digital museum collections G Arrigoni, J McKim Museum Management and Curatorship, 1-18, 2022 | 1 | 2022 |
| Introduction: locating heritage and dialogue in digital culture A Galani, G Arrigoni, R Mason, B Rex European Heritage, Dialogue and Digital Practices, 1-8, 2019 | 1 | 2019 |
| Subjective Epistemologies: Inconsistent Artefacts in the ReDesign of Medical Devices T Almeida, G Arrigoni Culture Lab Newcastle University, 2014 | 1 | 2014 |
| Speculative Culture: Design Fiction in Participative Innovation Labs G Arrigoni Verfügbar unter http://www. academia. edu/4945238 …, 2013 | 1 | 2013 |
| Preserving and sharing born-digital and hybrid objects from and across the National Collection J McKim, G Arrigoni, N Kane, S McConnachie V&A Research Institute, 2022 | | 2022 |
| Artefact vignette# 3: Erdi A Berner, MH Seyfried, G Arrigoni, A Galani European Heritage, Dialogue and Digital Practices, 107-108, 2019 | | 2019 |
| Artefact vignette# 1: Transformation Machine A Berner, MH Seyfried, G Arrigoni, A Galani European Heritage, Dialogue and Digital Practices, 60-61, 2019 | | 2019 |
Areti GalaniProfessor in Digital Heritage Practices, MCH, Newcastle UniversityVerified email at ncl.ac.uk
