| Music and social identity: Stylistic identification as a response to musical style HG Tekman, N Hortaçsu International Journal of Psychology 37 (5), 277-285, 2002 | 199 | 2002 |
| Implicit knowledge versus psychoacoustic similarity in priming of chords. HG Tekman, JJ Bharucha Journal of Experimental Psychology: Human Perception and Performance 24 (1), 252, 1998 | 128 | 1998 |
| Young people's topography of musical functions: Personal, social and cultural experiences with music across genders and six societies D Boer, R Fischer, HG Tekman, A Abubakar, J Njenga, M Zenger International Journal of Psychology 47 (5), 355-369, 2012 | 110 | 2012 |
| Time course of chord priming HG Tekman, JJ Bharucha Perception & Psychophysics 51 (1), 33-39, 1992 | 94 | 1992 |
| Aspects of stylistic knowledge: What are different styles like and why do we listen to them? HG Tekman, N Hortacsu Psychology of Music 30 (1), 28-47, 2002 | 66 | 2002 |
| Interactions of perceived intensity, duration, and pitch in pure tone sequences HG Tekman Music Perception 14 (3), 281-294, 1997 | 56 | 1997 |
| Perceptual integration of timing and intensity variations in the perception of musical accents HG Tekman The Journal of general psychology 129 (2), 181-191, 2002 | 37 | 2002 |
| “Get up, stand up, stand up for your rights!” the Jamaicanization of youth across 11 countries through reggae music? GM Ferguson, D Boer, R Fischer, K Hanke, MC Ferreira, VV Gouveia, ... Journal of Cross-Cultural Psychology 47 (4), 581-604, 2016 | 30 | 2016 |
| Accenting and detection of timing variations in tone sequences: Different kinds of accents have different effects HG Tekman Perception & psychophysics 63, 514-523, 2001 | 29 | 2001 |
| The relationship between media multitasking, working memory and sustained attention M Imren, HG TEKMAN Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi 20 (37 …, 2019 | 24 | 2019 |
| Change detection in desktop virtual environments: An eye-tracking study HU Karacan, K Cagiltay, HG Tekman Computers in human behavior 26 (6), 1305-1313, 2010 | 24 | 2010 |
| Music preferences as signs of who we are-Personality and social factors HG Tekman ESCOM 2009: 7th Triennial Conference of European Society for the Cognitive …, 2009 | 21 | 2009 |
| Cue trading in the perception of rhythmic structure HG Tekman Music Perception 13 (1), 17-38, 1995 | 21 | 1995 |
| Effects of melodic accents on perception of intensity HG Tekman Music Perception 15 (4), 391-401, 1998 | 19 | 1998 |
| Values, functions of music, and musical preferences HG Tekman, D Boer, R Fischer Proceedings of the 12th International Conference on Music Perception and …, 2012 | 14 | 2012 |
| A multidimensional study of preference judgments for excerpts of music HG Tekman Psychological reports 82 (3), 851-860, 1998 | 14 | 1998 |
| Perceiving and reasoning about musical styles and their listeners: The role of social identity HG Tekman, N Hortaçsu Proceedings of the 5 th Triennial ESCOM Conference, 8-13, Hanover, 2003 | 13 | 2003 |
| Message content, group identification and the intergroup sensitivity effect: Responses to the message and recognition memory HG Tekman, N Hortacsu, AB Ok Asian Journal of Social Psychology 11 (4), 279-285, 2008 | 11 | 2008 |
| Effects of accenting and regularity on the detection of temporal deviations: Does regularity facilitate performance? HG Tekman The Journal of general psychology 130 (3), 247-258, 2003 | 8 | 2003 |
| Dilde ve Müzikte Bilişsel Süreçler Arasında Bir Karşılaştırma HG Tekman Dilbilim Araştırmaları 2000, 65-82, 2000 | 7 | 2000 |
